Audio software – Midi Locator Tue, 10 May 2022 19:16:16 +0000 en-US hourly 1 Audio software – Midi Locator 32 32 Report on Audio Editing Software Market Recovery and Impact Analysis Tue, 10 May 2022 16:51:22 +0000

A new study on the Audio Editing Software Market makes a detailed assessment of current opportunities, upcoming revenue areas, and current and projected valuations of various market segments, assessing the economic impact of COVID-19. Assessments that span multiple pages include identifying key growth drivers, restraining factors, key revenue growth trends, and avenues ahead. The dynamics of the global audio editing software market correlates with an assessment of the strategic landscape of various regional markets, key regulatory challenges, macroeconomic dynamics, and the effect of COVID-19 on communities around the world.

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The PDF report and online dashboard will help you understand:

• Competitive landscape
• Historical data and forecasts
• Company revenue sharing
• Regional assessment
• Latest trends and dynamics

Growth prospects and market estimates in the global audio editing software market are based on a detailed assessment of opportunities and business drivers in different regions. During the analysis, key markets are identified, slow growing regions are highlighted and geographies showing signs of rapid growth have been highlighted. Further, shares of promising markets in the overall Audio Editing Software market by the end of the forecast period are established, supported by Audio Editing Software analysis of the growth momentum over the next few years.

Key Players/Companies operating in the Audio Editing Software Market include:

Blender Foundation, Corel, Apple, Nero, Steinberg Media Technologies, PreSonus, Acon AS, Snell Advanced Media, Movavi, Blackmagic Design, NCH Software, Avid, Adobe Systems, MAGIX Software, Autodesk

The complete Global Audio Editing Software Market report begins with a market overview, followed by the size and objectives of this study. The report provides a detailed explanation of the objectives of this study, regulatory scenario, and technological advancements. The report also includes sales and industry chain analysis with a comprehensive overview of the major players in the Audio Editing Software industry. The report includes graphs and tables to show the whole assembly.

Audio Editing Software Market insights will enhance the revenue impact for businesses in various industries:

➼ To provide a suitable framework for understanding the attractiveness quotient of various products/solutions/technologies in the Audio Editing Software market
➼ Guide stakeholders to identify key issues related to their consolidation strategies in the Global Audio Editing Software market and propose solutions
➼ Assess the impact of changing regulatory dynamics in regions where companies want to expand their footprint
➼ Provides an understanding of disruptive technology trends to help companies make their transitions smoothly
➼ Help leading companies recalibrate their strategy ahead of their competitors and peers
➼ Offers an overview of promising growth for top players aiming to retain their leading position in the market and supply analysis of the Audio Editing Software market.

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What does the Regional Audio Editing Software Market Landscape Report Cover?

The latest audio editing software industry analysis and survey provides sales insights in over 20 countries, in key categories. Insights and insights on Audio Editing Software market drivers, trends, and influencing factors are also included in the study. The Audio Editing Software market report provides estimates along with the market size and outlook of various regions. To this end, the study conducts an in-depth segmentation of the following key regions:

⦿ North America (USA and Canada)
⦿ Latin America (Mexico, Brazil, Peru, Chile and others)
⦿ Western Europe (Germany, UK, France, Spain, Italy, Nordic countries, Belgium, Netherlands and Luxembourg)
⦿ Eastern Europe (Poland and Russia)
⦿ Asia-Pacific (China, India, Japan, ASEAN, Australia and New Zealand)
⦿ Middle East and Africa (GCC, Southern Africa and North Africa)

The research report on the global Audio Editing Software market also provides a detailed analysis of the overall vendor landscape. The report analyzes the key marketing and promotional strategies adopted by leading companies in the global Audio Editing Software market. Furthermore, it takes into consideration existing development, past events and recent trends to provide a strong and unbiased opinion on the future direction in which these leading companies will be heading. The research report covers all factors and events such as mergers, acquisitions, takeovers, joint ventures and strategic alliances. It also analyzes the barriers to entry and overall intensity of competition in the global audio editing software market.

Some of the insights and trends that help in understanding the impending investment pockets in the audio editing software market are mentioned below:

• Investment trends of key industry stakeholders
• Strategies adopted by companies across various industries that are shaping demand in the Audio Editing Software market
• Mission-critical priorities that will grab the attention of major Audio Editing Software market players
• Share of major regional markets in the global audio editing software market
• Size of opportunities in emerging regional markets
• New business models that will gain popularity in the near future
• Patents and research investments that could change the course of the audio editing software market
• End-use industries where demand can gain momentum quickly

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In conclusion, the Audio Editing Software Market report presents the descriptive analysis of the parent market supported elite players, present, past and artistic movement information that is able to function as a profitable guide for all commercial competitors in the audio editing software industry. Our team of expert research analysts have been trained to provide in-depth marketing research reports on each individual industry, which can be helpful in knowing the industry data in the most accurate way.

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Mr Shah
Stratagem Market Overview
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Canaan K510 CRB RISC-V AI development kit comes with dual camera module and LCD screen Sun, 08 May 2022 09:56:46 +0000

Last summer, Canaan introduced the Kendryte K510 Tri-Core RISC-V AI Processor, now also known as Canaan K510, as an updated version of the Kendryte K210 with much higher 3 TOPS performance, but at the time, there was no board and SDK development.

But I have just been informed about the availability of the Canaan Kendryte K510 CRB (customer referral platform) AI development kit with camera module and LCD display, as well as a software development kit with U-Boot, Linux and AI tools that can be used to develop intelligent audio and computer vision applications.

Kendryte K510 CRB-Kit Developer Kit Specifications:

  • SoC – Canaan Kendryte K510 dual-core RISC-V64 processor up to 800 MHz and 1x RISC-V DSP up to 800 MHz for up to 3 TOPS AI performance, ultra-low power wake-up VAD, H.264 video encoding up to 2 channel @ 1080p60
  • System memory – 512 MB LPDDR3 @ 1600 MHz
  • Storage – 16GB eMMC 5.1 flash, MicroSD card slot
  • Video output – HDMI and built-in LCD display
  • Video input – 2x MIPI CSI, 1x DVP interface, integrated camera card with 2 sensors
  • Audio – 3.5mm audio jack
  • Networking – Gigabit Ethernet RJ45 port and wireless module
  • USB – Micro USB OTG 2.0 port
  • Debugging – USB-C to UART Interface, JTAG Header
  • Extension – GPIO extension header with UART, SPI, etc…
  • Miscellaneous – LEDs, reset and start buttons, on/off switch
  • Power supply – 5V via USB Type-C port

Canaan K510 development board block diagram

Looking closer at the board, we can see the K510-CRB-V1.2 carrier board and the K510-CORE-V1.2 system-on-module.

K510-CRB-V1.2 and K510-Core-V1

The SDK (K510 buildroot) can be found on Github with Chinese-only instructions for now, and a relatively short K510 Technical Reference Manual (575 PDF pages) can also be found on Google Drive. The default Linux image comes with a face detection demo that can be started from the serial console.

Canaan K510 Linux

Another Github repository has more detailed hardware and software documentation, and the company has posted a few demos such as license plate recognition and face detection on its Bilibili account (it’s the equivalent of YouTube in China) .

Some additional details can be found on the product page. The K510 CRB development kit is sold for $199 on Analoglamb. The price is relatively high, but I guess that’s for people wanting early access to the platform, and later this year we should probably get more affordable K510 dev boards.

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]]> Brock Makerspace helps improve creativity in classrooms and labs – The Brock News Fri, 06 May 2022 18:55:28 +0000

While home to many creations, the Brock University Library Makerspace helps support innovation far beyond its walls.

Makerspace projects take place in classrooms and research labs, with people using the institution’s emerging tools and technology.

Brock faculty, staff, and students are encouraged to consult with Makerspace staff on how to enhance personal and course-related projects or research initiatives using Makerspace technology. All equipment can be used in the Makerspace and some tools can be borrowed for extended periods.

Thad Harroun, director of Brock’s physics department, uses the Makerspace 3D printer to develop science kits. A video of his first model is posted on Twitter.

“3D printers are helping to prototype rolling, mobile gadgets that can turn an ordinary cell phone into a mobile physics lab,” he said. “This will be a great outreach project for high school students, and a bit different from the usual engineering activities they may have seen.”

Harroun also borrowed a 360-degree camera and used Makerspace film-editing software to create a virtual tour of the physics department that showcases labs and classrooms in a digital, yet unique way.

Master of Science student Aurora Battis (BSc ’20) used Makerspace’s Cricut machine to create custom adhesives for use in Brock’s Spine Biomechanics and Neuromuscular Control lab.

“We need to affix a variety of different types of body-worn equipment to track human movement,” she said. “The Cricut allows us to customize the shape, size, and adhesive bond strength to meet our needs.”

After successfully cutting out complex shapes, Battis explored other ways to use Cricut, such as cutting out reflective materials to use for motion capture.

Other lab members have used the Makerspace 3D printer to develop life-size anatomical models of spinal bones, which are used in the lab to demonstrate musculoskeletal concepts to people participating in ongoing research studies.

Members of the Brock community interested in using Makerspace equipment can schedule an appointment with Makerspace staff, who will recommend the tools and technology best suited for the project and recommend learning and training opportunities. Teachers can borrow specialized equipment for long periods of time, such as 3D scanners, mobile virtual reality, Sphero programmable robots, GoPros, 360-degree cameras, microphones and other video, photography and audio production equipment .

Available in-person creative lab spaces include audio, video, photo, and prototyping labs; 3D printers and sculptors; laser cutting; stations with specialized software, such as GarageBand, Adobe Creative Cloud Suite and Easel; and stations with specialized equipment, like a sewing machine and Cricut Maker.

To make an appointment to use the creative tools or space, view available times on an online calendar, then complete an online request form.

Additional learning resources, such as self-directed tutorials and an online Makerspace tour, are available on the Brock University Library Makerspace website.

Questions can be emailed to

Bank On – Financial Inclusion for Individuals, Banks and Credit Unions Thu, 05 May 2022 16:55:17 +0000

Bank On is a fairly simple concept that now has over 3.8 million accounts across the United States. It offers certified bank or credit union accounts that have none of the fees that have driven many people away from bank accounts.

Bank On accounts offer low costs, no overdraft fees, robust transaction capabilities such as a debit or prepaid card, and online bill payment. The program is sponsored by the Cities for Financial Empowerment Fund (CFE Fund) which helps cities and mayors provide large-scale, high-quality financial empowerment services, often by providing government payments through bank accounts, so recipients must open an account to receive payment.

“Let’s get people into the banking system because it offers fundamentally stabilizing financial tools,” said Jonathan Mintz, president and CEO of the Cities for Financial Empowerment Fund. “A lot of our other stabilization efforts are crippled if people are outside the financial system.”

Bank On was born out of an FDIC pilot program aimed at getting more than 36 million unbanked people nationwide to open and use bank accounts. The CFE Fund realized that an effective program needed to work with banks and credit unions and develop a single national standard for a safe bank account.

It’s been a hit with financial institutions — Bank On-certified accounts are available at more than 200 financial institutions and just under half of branches nationwide, Mintz said, and the financial institutions offering them represent 56% of the total. American market.

Getting unbanked people to open an account can be very direct – just asking them to have a bank account to receive public funds.

“At the local level, in youth summer employment programs or other work programs where the government pays people salaries and the population has a high degree of unbanked people, when they sign up for programs and pay, you tell them that direct deposit is how they get paid. and give them a list of approved accounts. People say yes,” Mintz explained.

Some states are beginning to require direct deposit to a bank account for unemployment benefits, instead of mailing checks or cards to recipients. For stimulus payments during the pandemic, the IRS said it could disburse quickly to bank accounts, but checks could take several months to print and send, another incentive to open an account.

Since many banks and credit unions have Bank On-compliant accounts, government agencies don’t have to direct people to specific institutions — they can offer them a list to choose from. Many offer online account opening.

The Bank On program doesn’t work with fintech companies because they’re unregulated and VCs can change the rules at any time, Mintz said.

“Where are the consumer protections, where are the stress tests? We refer people to regulated financial institutions. We don’t think access to banking is just about giving people the best transactional product, we think it’s about getting connected.

Certification is free and some financial institutions are approaching the CFE Fund to be accredited – 30 more are in the process of being approved, he said.

Bank On builds on Dodd Frank’s Reg E which requires banks to obtain a user’s approval for overdraft fees. In secure bank accounts, if someone tries to make a payment and does not have the funds, the payment is simply stopped without incurring an NSF fee.

The FDIC promotes secure accounts through #Getbanked campaigns “focused on areas where research finds significant numbers of Black and Hispanic households are unbanked. The objective of this targeted campaign is to encourage unbanked consumers to consider opening a checking account. Many banks offer a variety of accounts, including low cost accounts. Last year, the FDIC launched this campaign in Atlanta and Houston.

“Through a series of digital, audio, and video advertisements in English and Spanish, the FDIC hopes to reach unbanked consumers, especially during tax season, when they can benefit from fast, direct deposit of their reimbursement,” the FDIC said. said in a statement.

In addition to new accounts signing up due to advertising, the Fund is working with three dozen cities and counties that have completely changed the way they pay their summer employees, Mintz added.

“We assume that no one can be fooled with these accounts. FIs won’t be disadvantaged by people overspending with money they don’t have, and customers won’t end up with a bunch of accrued charges because they tried to buy a coffee and they were missing a dollar. The account structure facilitated positive relationships between banks and people who wanted to join the mainstream banking system that benefited the middle and upper classes but were excluded.

Banks and credit unions have a ton of technology they can deploy to educate customers and help them save with budgeting and savings buckets, he said.

Mintz said the FDIC campaign is the reason the number of Bank On accounts has skyrocketed. And they’re reaching people who didn’t have a bank account before. Federal Bank of St. Louis, which follows the Bank On program, said 82% of new accounts are created by people who are new to the financial institution. Secured accounts perform 64 million debit transactions per month, he added.

“These are heavily used accounts with account holders making deposits and operating online. We are creating a robust marketplace of truly affordable trading accounts.

The banks tell the Fund that they are good customers – some take out loans and start businesses.

“Many financial institutions are pleasantly surprised that an account they thought was a benefit turns out to be a benefit. Credit unions are dealing with aging members, so new members are driving the If these accounts lost money, we wouldn’t be where we are today.

“Even without a bank account, unbanked people conduct transactions, often costly, outside the banking system,” he said. “They have bills to pay – many are earning money or receiving benefits and they should be able to use that money effectively.”

Audio continues its march towards an IP future Tue, 03 May 2022 14:18:00 +0000

Innovations and combinations, some boosted by COVID, abounded on the show

It was almost like the good old days: thousands of convention attendees strolling the aisles of the Las Vegas Convention Center, booths of exhibitors luring them in with illuminated product demonstrations and a brisk pace of conversation suggesting that the broadcasting had almost returned to the status quo. Part of this conversation suggested that the audio streaming industry is ready for a turn.

In person again

In a remote production demonstration, Calrec demonstrated a network with an ImPulse CPU running three consoles.

“It’s good to be back at a show,” said Calrec VP, Sales, Dave Letson. At the company’s booth, he oversaw a complete network in which three discrete consoles – a dual 48-fader Apollo console, a 40-fader Artemis console, and a headless console running Calrec Assist on a PC – were controlled from of a single core ImPulse unit. It was a demonstration of the kind of remote production deployment that has become common under COVID lockdowns.

“The pandemic has given a big boost to remote production, which these systems support,” he noted. “But other forces were also at work, including cost savings and the shift to IP. These developments here also support this.

Sennheiser used the infrastructure of its stand to make its point. It also served as a demo platform for sister company Neuman’s new K150/AES67 monitor. The booth scaffolding supported a 5.2.4 array of new 6.5-inch speakers, playing a live Dolby Atmos VR mix, with a KH750 subwoofer used as the LFE channel.

Audio-Technica’s new 8.0 Microphone Concept immersive system has already been deployed on sports broadcasts.

Audio-Technica was looking back, celebrating its 60th anniversary this year, but it was also looking ahead, showing off its new Microphone Concept 8.0, a low-profile, eight-channel immersive system that has already been deployed on several sports broadcasts.

“We’ve had a lot of good feedback from sports networks in the process. [of developing it],” mentioned Gary Dixon, AT Product Manageradding that it is a cutting-edge product for the upcoming immersive 5.1.4 era of broadcast sports.

Facing new and old challenges

Some of the enemies of pro audio were still evident. For example, providing an overview of CrewCom’s new CB2 Professional wireless intercom system, a full-duplex solution available in 900 MHz and 2.4 GHz frequency options, Pliant Technologies Vice President of Worldwide Sales Gary Rosen pointed out, “It’s always a battle for the spectrum there.” Proving the point, CrewCom’s gear is being deployed for the NFL Draft, which takes place in Las Vegas this weekend.

As broadcast audio moves deeper into an IP environment, the ST 2110 standard, which describes the transport of digital media over a network, and its many ‘dashed’ supplements take on greater importance. ST 2110-7, which emphasizes signal path redundancy, was often mentioned by exhibitors, using its abbreviated nickname “dash seven”. Riedel Vice President, Strategic Accounts, East, Phil Stein, for example, noted that his company’s Bolero system, which will be used for the 2023 XFL season, highlights the importance of the -7 component in intercom deployment. (The company also won the unofficial prize for best press kit: a QR code printed directly on an apple.)

TSL’s extended SAM-Q audio monitor is compatible with ST 2110-7 and ST 2110-30.

Meanwhile, TSL showed off an expanded version of its SAM-Q audio monitor encompassing -7 and -30, the latter developed specifically to make audio as compatible with video as possible.

The -7 component is relevant to Audinate’s new Dante Studio, a platform solution for advancing audio and video production capabilities. The platform’s premier tool, Dante Video RX, allows Windows PCs to receive video from any Dante AV-enabled source. According to Audinate Marketing Director Joshua Rushthis is a critical phase in the development of the Dante AV ecosystem: “Dante Video RX completes the end-to-end video workflow.”

However, the move to IP means a greater reliance on silicon chips, and this has been a major stumbling block for audio manufacturers. Audinate’s response, according to Rush, has been to adapt its platforms to accommodate a wider range of chip types and to leverage Dante’s sizable base of licensed manufacturers as an entity, allowing efforts to use this scale for better access to supply. Noted DiGiCo Business Development Manager, Sports Facilities, Dan Palmersome manufacturers coincidentally stockpiled the FPGA chips their digital consoles need before the supply chain disruptions.

The pandemic has brought about some useful collaborations, one of which was evident on the show. Both Q5X and Shure demonstrated the synergy of pairing Shure’s Axient Digital Wireless System with Q5X’s PlayerMic transmitter. Senior Market Development Specialist at Shure Ben Escobedo noted that adoption of Shure’s Axient Digital line has been boosted by its association with Q5X’s PlayerMic and CoachMic systems for broadcast sports applications: “This strategic partnership has helped further strengthen our footprint in sports. Responded CEO of Q5X Paul Johnson, “I love to hear that! It’s really a great collaboration. »

COVID demands have also prompted many audio innovations. Talking about how Digigram’s IQOYA series of IP codec solutions have been expanded over the past two years, Digigram Director of Sales Derek Badala noted, “The pandemic has really accelerated their development.”

When the NAB Show returns to the Las Vegas Convention Center from April 16-19, 2023, it will notably be the centennial of the event. The very first NAB Show took place in 1923 in New York.

4 Complete the UA Business Program Sun, 01 May 2022 07:13:56 +0000

BENTONVILLE — The first cohort of the Greenhouse Outdoor Recreation Program, a business incubator focused on outdoor recreation entrepreneurs, graduated in late April, and participants say the program boosted their chances of success from the start.

The University of Arkansas Fayetteville’s Office of Entrepreneurship and Innovation’s new program, known as GORP, targets start-up companies from initial concept to launch. During the 12-week program, founders of four Northwestern Arkansas companies participated in workshops, were assigned mentors, shared co-working spaces at the Collaborative – the education center and UA Research Center in Bentonville – and received one-on-one service and product design input.

“We had a basic idea, GORP helped us think bigger,” said Tyler Baumgardner, who, with his wife Morgan, founded Encore Bike Rentals. “GORP came in and started pushing us.”

Encore Bikes rents bikes – including mountain bikes and e-bikes – through a concierge service to cyclists in Bella Vista, Bentonville and Rogers through online booking and book [and picks up] bikes directly to a trailhead, vacation rentals and other locations. The mountain biking couple got the idea when family came to visit and they struggled to find bikes to take advantage of the area’s trails.

Phil Shellhammer, the director of the GORP project, said this is one of the key aspects of the program – developing a product or service that solves a problem. He said that many would-be entrepreneurs have great ideas, but to be successful, the concept must meet a real customer need.

Shellhammer said the first cohort of GORP had a good mix of companies focused on both products, services and experience improvement, many with digital elements. Members of the pilot cohort received up to $15,000 in funding that did not require them to give up company capital, as well as the use of a fully funded intern through the university’s Venture Intern program . A $4.1 million donation from the Walton Family Charitable Support Foundation helps sustain the incubator.

Shellhammer said the application process for the next cohort of GORP will begin in mid-June and the program will begin in August.

Nick Olano co-founded American Hunt with Justin Conner and Jared Edwards. American Hunt helps outdoor enthusiasts access otherwise inaccessible lands for activities such as hunting, fishing, archery and camping. American Hunt is a two-sided marketplace, connecting landowners with people who want access to that land for everyday use.

Olano said the incubator, through access to mentors, helped him focus his attention on the key aspects of his business, and the peer-to-peer aspects of working with people also building businesses focused on outside were motivating.

“It’s like a fire hose of knowledge,” Olano said of the experience. “It made our plan more 100% viable.”

He said the funding and help from a paid intern took a lot of the pressure off him.

According to the Outdoor Industry Association, a trade group, in 2020, Arkansas’ outdoor economy was responsible for 37,089 direct jobs, $1.5 billion in wages and salaries, and a 2 .2% of the state’s gross domestic product. Nationally, there were 4.3 million direct jobs attributed to the outdoor economy for the same period and the segment generated $689 billion in consumer spending.

Jeff Amerine, Founder and Managing Director of Startup Junkie Consulting, was one of the GORP cohort speakers. He said the outdoor recreation segment encompasses many types of businesses, from service providers to product manufacturers, as evidenced by the composition of the first cohort of GORP.

He said the band members were both tenacious and coachable and eager to learn and apply what they learned to their various businesses.

Amerine also praised Shellhammer’s leadership, noting his credentials, including an MBA from Harvard Business School, a stint as vice president of Sam’s Club, and experience as a serial entrepreneur.

“Phil was precisely the guy to do that,” he said.

Mark Marsiglio and Erica Schmitz are the co-founders of Trail Tours, a GPS-enabled mountain biking app that offers guided tours of area bike trails by a local expert. Marsiglio said the app provides audio snippets giving the rider vital information about upcoming features, option lines, hazards and turns.

“Our slogan is ride like a local,” Marsiglio said.

He said the GORP program connected him with a broad base of other entrepreneurs who provided him with a variety of vital information. He said the peer-to-peer aspect of the cohort, with its small size and focus on outdoor businesses, helped him identify the best outcomes for the fledgling business.

“The connections have been huge,” Marsiglio said.

He said that after the 12-week program, he had a clear idea of ​​where his business was and where it could grow. He noted at the end of the course that he already had a year-long to-do list in hand.

“I have a lot more clarity on my path forward,” Marsiglio said.

Bentonville-based Lacaida Ropes, founded by Pedro Somarriba, produces locally made ropes with custom designs and prints for rock climbing. He said GORP helped him start the patent process for one of his rope offerings and automate his rope manufacturing process and secure investors.

He credited the program with moving his business forward faster and on a sustainable and scalable path. He said the mentors he met along the way, his fellow cohort business owners and the guidance he received from Shellhammer were invaluable.

But one of the most important lessons, he said, was about himself.

“I discovered that I had an entrepreneurial spirit,” Somarriba said.

Phil Shellhammer, Director of GORP, (left to right) watches as Morgan Baumgardner and Tyler Baumgardner present their company Encore Bike Rentals, Thursday, April 21, 2022 at the Bentonville Collective Greenhouse in Bentonville. See and for a photo gallery. (NWA Democrat-Gazette/Charlie Kaijo)
AAXA P8 Smart Mini Projector Review Fri, 29 Apr 2022 22:42:46 +0000

The AAXA P8 Smart Mini projector is one of the smallest we’ve seen with built-in streaming capabilities, and also one of the cheapest, at $249. It weighs just 8.8 ounces, supports screen mirroring, and offers connection choices that include HDMI, USB-C, and Wi-Fi, making it an acceptable companion for either phone or other. mobile device. What keeps it from being a great companion is that unlike the slightly heavier and slightly more expensive Kodak Luma 350 Smart Projector (our current Editors’ Choice for pocket projectors), it doesn’t include a battery. integrated. Still, it offers enough value to be considered.

Appropriate image quality for a pocket projector

The P8 combines a DLP chip with a resolution of 960 x 540 pixels (qHD, or a quarter of 1,920 x 1,080 pixels) with an RGB light source rated at 30,000 hours in Eco mode. (There is no published rating for full power mode.) qHD resolution offers a slight improvement over the Luma 350’s resolution (854 by 480 pixels) but still falls well short of 720p HD ( 1280 by 720 pixels).

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At first glance, the P8’s 430 lumens brightness would seem to make it much brighter than the Luma 350, which is rated at 200 lumens. But the Luma 350’s rating is in ANSI lumens, which is a measurement-based standard, while the P8’s rating is in LED lumens, which is basically a statement that it’s perceived to be as bright, even though the measured brightness is lower. In my tests, using the P8’s brightest power mode, called Boost, it delivered about what I’d expect to see from around 225 ANSI lumens.

Front of the AAXA P8 Smart Mini Projector

On the plus side, there’s no visible difference in brightness between color modes, and there’s no loss of color accuracy in the brighter power modes. Unfortunately, color accuracy ranges from tolerable to barely acceptable with all setting adjustments (more on those later), but at least you can get the brightest image the projector is capable of without any loss of color accuracy. colors.

The configuration is standard for the category, without optical zoom. A welcome touch is that the focus wheel offers a bit of resistance to avoid overshooting the right setting, and I found it easy enough to get the best focus. Another welcome touch is the supplied tabletop tripod.

The P8 measures 1.4 by 3.9 by 3.4 inches (HWD) and its weight of 8.8 ounces does not include the weight of the external AC adapter.

Built-in streaming, powered by Android

There’s nothing to configure for Android 10-based streaming other than connecting to a Wi-Fi network and entering your login credentials into individual apps. The projector comes with six streaming apps installed: YouTube, Netflix, Vimeo, Tubi, Haystack News and Twitch.TV, as well as a number of utilities including Chrome, WPS Office, FileManager and Aptoide TV to download any further.

Aptoide apps are notorious for not working well, and indeed one I downloaded didn’t work at all, while another only worked after clearing an error message saying that would not work. The good news is that all of the pre-installed apps I tried worked, including Netflix. Still, Aptoide Netflix apps have this track record, and indeed every time I loaded it or tried to stream, I got the same error message I saw with the other app I have downloaded. After clearing the message, streaming worked. AAXA said the error message appears to be a bug, which the company will put on the fix list for the next software update.

    AAXA P8 Smart mini projector installed on tripod included, with remote control

In addition to Wi-Fi for streaming, the P8 offers an HDMI port, a USB Type-A port for playing files from USB memory, a TF card slot for playing files from TF and MicroSD cards, and a USB Type-C port for wired mirroring with compatible Android devices. (Apple mobile devices, as well as Android devices, can use the HDMI port for mirroring.) It also supports wireless screen mirroring, but note that wireless screen mirroring only supported not support hardware with HDCP copy protection in my tests, while wired mirroring did.

The P8’s built-in 2-watt speaker provides enough audio quality and volume to be useful. You can also connect to an external audio system using the 3.5mm stereo audio out port or Bluetooth.

AAXA P8 review: Decent color for PowerPoint and occasional videos

The P8 has two independent sets of menus, which makes them a little tricky to use, but the setting options are typical for this class of projector. You get three picture modes that you can’t change, plus a user mode that only lets you adjust contrast, brightness, color saturation, and sharpness. After some preliminary testing with each, I settled on Standard mode, which offered good color saturation and the most realistic skin tones for photorealistic images.

As already suggested, image quality is not a strong point. I’ve seen obvious color errors, including red shifting to purple in graphics and photorealistic images, and a green Volkswagen taking on a chartreuse color that I’ve never seen on a real car. Additionally, photorealistic images were particularly grainy in my tests and somewhat posterized (meaning colors changed suddenly in areas where they should gradually fade). These issues were particularly evident in skin tones. In the close-ups of faces, virtually everyone looked like they had freckles or pockmarks.

Right side and front of the AAXA P8 projector, showing the focus wheel and most ports

The good news is that color errors are only slightly more obvious than typical pocket projectors. All issues (for graphics and photorealistic images) fall within a range that most people will find marginally acceptable to at least tolerable, especially for such a small projector.

Professional graphics in our test suite retained well-saturated, snappy colors even when the colors were turned off, and didn’t show the graininess or posterization I saw in photorealistic images. The low resolution isn’t well suited for small fonts, but text on typical PowerPoint slides was perfectly legible.

Top, back and left side, showing the ports on the back of the AAXA P8 projector

Even colors in movies and videos rarely went out of a realistic range. Also note that when I pointed the projector at a wall or door instead of an actual screen, the imperfections in the surface of the makeshift screens hid the imperfections in the image, so the grain and posterization didn’t were not displayed.

The P8 does a good job of avoiding the rainbow artifacts, red-green-blue flashes that are often a problem with single-chip projectors. The only time I saw these in my testing was with a contrasting black and white clip in our suite which tended to make them stand out, and I didn’t see many even then. That said, if you find these artifacts bothersome, you should always buy from a retailer that allows returns without restocking fees, so you can test it out for yourself.

The projector does not support 3D. But it does have a reasonably short input lag, which should be more than enough for casual gamers. I measured it with a Bodnar meter at 33ms for both 1080p and 720p inputs at 60Hz.

Front, left and top of the AAXA P8 projector

As already mentioned, in its brightest mode, the P8’s image was about as bright as I expected from around 225 ANSI lumens. In a darkened room, it provided a sufficiently bright image on my 80-inch-diagonal 1.0-gain white screen.

A budget-friendly portable projector

The most eye-catching feature of the AAXA P8 is its price. If that’s what appeals to you and you’re not interested in streaming, consider the Kodak Luma 150, which includes a rechargeable battery, has the same list price as the P8 and currently sells for less. Or consider the ViewSonic M1 mini, which also has a built-in battery and costs even less.

Meanwhile, if you want the smarts of built-in streaming, the Kodak Luma 350 is still our Editors’ Choice for the category, but it’s also more expensive than the P8. If you want to stream and can do without a battery to cut costs, the AAXA P8 is actually a decent option, as it offers features comparable to the Luma 350, plus a small resolution boost, for cheaper. This combination keeps it in the running as a more than reasonable budget pocket projector.

AAXA P8 Smart Mini Projector


  • Integrated streaming, using Android 10 (not Android TV)

  • Comes with apps for Netflix, YouTube, Tubi and more

  • Only 8.8 ounces

  • Cheap

See more

The essential

The 9-ounce AAXA P8 streaming projector has no battery, which is a drawback for “true” mobile use, but its low price keeps it in the running for budget-conscious businesses and homes.

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IT Leasing and Financing Market Size, Outlook and Forecast Thu, 28 Apr 2022 02:34:52 +0000

New Jersey, United States – the IT leasing and financing market The research report offers complete coverage of the IT Leasing and Financing Market during the forecast period 2022-2029. It provides historical, current and future market trends to help develop a robust market strategy. Additionally, it provides value chain analysis, key drivers and challenges, and includes upcoming opportunities in the IT Leasing and Financing market that will enable the business success.

The IT Leasing and Financing Market report provides detailed analysis of global market size, regional and country level market size, segmentation market growth, market share, landscape competitive analysis, sales analysis, impact of domestic and global market players, value chain optimization, trade regulations, recent developments, opportunity analysis, strategic market growth analysis, launches of products, regional market expansion and technological innovations.

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Key Players Mentioned in the IT Leasing and Financing Market Research Report:

Avid Technology, FL Studio, PreSonus Audio Electronics, Ableton, Steinberg Media Technologies, Magix, Cakewalk, Adobe, Propellerhead Software, Apple, NCH Software, Cockos, Acon Digital

This comprehensive report on the IT Leasing and Financing Market helps to determine the gaps and issues faced by the dominant or new companies. It also provides information about the potential impact of the existing COVID-19 on the market scenario. IT Leasing and Financing market is split by Type and by Application. For the period 2018-2027, the growth between segments provides accurate calculations and forecasts of sales by type and application in terms of volume and value. This analysis can help you grow your business by targeting qualified niche markets.

Global IT Leasing and Financing Market Segmentation:

By Product Type, the market is primarily split into:

• Packaged software
• Server systems
• PCs and smart wearables
• Networks and telecommunications
• Central computers and service
• Other

By application, this report covers the following segments:

• Listed companies
• Small and medium enterprises
• Government agency
• Other

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Scope of the IT Leasing and Financing Market Report

UNITY Value (million USD/billion)
SECTORS COVERED Types, applications, end users, and more.
REPORT COVER Revenue Forecast, Business Ranking, Competitive Landscape, Growth Factors and Trends
BY REGION North America, Europe, Asia-Pacific, Latin America, Middle East and Africa
CUSTOMIZATION SCOPE Free report customization (equivalent to up to 4 analyst business days) with purchase. Added or changed country, region and segment scope.

Geographic segment covered in the report:

The IT Leasing and Financing report provides information on the market area, which is further sub-divided into sub-regions and countries/regions. In addition to the market share in each country and sub-region, this chapter of this report also contains information on profit opportunities. This chapter of the report mentions the market share and growth rate of each region, country and sub-region over the estimated period.

• North America (USA and Canada)
• Europe (UK, Germany, France and rest of Europe)
• Asia-Pacific (China, Japan, India and the rest of the Asia-Pacific region)
• Latin America (Brazil, Mexico and rest of Latin America)
• Middle East and Africa (GCC and Rest of Middle East and Africa)

Answers to key questions in this IT Leasing and Financing Market report

  1. How much revenue will the IT Leasing and Financing Market generate by the end of the forecast period?
  2. Which market segment is expected to have the maximum market share?
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  4. Which regions are currently contributing the maximum share of the global IT Leasing and Financing market?
  5. Which indicators are likely to stimulate the IT leasing and financing market?
  6. What are the key strategies of the major IT Leasing and Financing market players to expand their geographical presence?
  7. What are the key advancements in the IT Leasing and Financing market?
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Fatal Nevada DUI accident detailed in body camera video Tue, 26 Apr 2022 14:00:00 +0000

New police body camera audio, previously withheld, shows a man who killed three people in a DUI crash last year telling a Nye County sheriff’s deputy that he should use opioids to avoid the drug withdrawal. Minutes later, he was released to continue driving – and cause the fatal collision.

A Review-Journal investigation published last month showed deputies suspected Arizona driver Tyler Kennedy of opiate use when questioning him in the Amargosa Valley, about 90 miles away. northwest of Las Vegas.

But they did not conduct field sobriety tests or restrict Kennedy from driving, as required by the sheriff’s DUI policy. The new audio segment from a body camera video provides further evidence that officers knew Kennedy was using drugs when they let him go.

Before releasing video of the 2021 incident to the news agency in February, sheriff’s officials deleted 23 seconds of audio during a key exchange between Kennedy and Deputy Breanna Nelson. A letter that was sent with the video said the audio was removed to protect Kennedy’s right to a fair trial and not to interfere with the district attorney’s pursuit of the case.

The initial Review-Journal story documented officers noting that Kennedy had identified students that day and was “probably under the influence.”

The Review-Journal had repeatedly requested the retained audio. It finally came out last week.

In the full body camera video, Kennedy tells Nelson, after finding fentanyl in his truck, “I’m going to Oregon to go to rehab. I am sick. I have to do this or I’ll get sick. … I have to do it. I’m going to be sick.”

“I mean, you don’t have to do anything,” said Nelson, who had just chided Kennedy, telling him, “Don’t do drugs.”

“I just don’t want to be sick,” Kennedy said.

Another deputy then changes the subject, chastising Kennedy, whom police initially questioned about having a gun, to avoid sparking conflicts in Nevada, where people can easily be armed.

Kennedy was questioned by five officers outside the Area 51 Alien Center store on March 27, 2021, for about an hour before deputies released him.

An hour later, he crashed his truck into an SUV, killing Michael Durmeier, his fiancee, Lauren Starcevich, and Michael’s 12-year-old daughter, Georgia. Two other children in the SUV were injured but survived.

Kennedy pleaded guilty to three counts of impaired driving resulting in death on March 15.

A family outraged by a new video

Michael Durmeier’s mother, Gina Durmeier, said the new information shows an even greater failure on the part of the police, as Kennedy admits to using drugs but was not arrested for drunk driving or for drugs found by the police.

“Breanna Nelson could have prevented this whole nightmare,” she wrote in an email exchange after reviewing the newly posted video. “She gave him the green light to take the life of anyone in his path, knowing, by his own admission, that he ‘had to’ take fentanyl, and he sure was going to!” She gave him the keys to killing precious lives and changing the lives of so many forever.

Starcevich’s sister, Olivia Crawford, said she was furious at the failure of police to protect the public.

“Officer Nelson should have done his job (as well as the 4 other officers who were on scene),” she wrote in an email exchange after watching the video.

“Kennedy clearly states that he is ill and needs to take the pills. He admits that he constantly uses and obviously drives a vehicle, which is against the law. The negligence that occurred on March 27, 2021 is unforgivable and this entire department must be investigated for its lack of respect for the law and protection of citizens.

Thomas Moskal, who ran DUI prosecutions at the Clark County District Attorney’s Office for years and now defends DUI suspects, said police had many reasons to do a field sobriety test. They probably would have had no problem getting a warrant for blood tests and a vehicle search after seeing Kennedy’s constricted pupils, finding drugs and hearing his admission that he had to use drugs to avoid withdrawal. .

“It’s pretty straightforward to see that it’s a DUI under the law,” he said. “They knew he was driving.”

Review-Journal General Counsel Benjamin Zensen Lipman said the full video should have been released immediately.

“The Review-Journal doesn’t think there was a legitimate basis for withholding the audio in the first place,” he said. “It is not clear that the audio would have had any bearing on a trial, even if it were to take place. And as the United States Supreme Court has recognized, even if it were to be used in a trial , our justice system has many tools to ensure a fair trial without removing the public’s right to access public records.

Nelson and Nye County Sheriff Sharon Wehrly did not respond to calls and emails seeking comment.

Wehrly previously said the incident was investigated internally. The county has denied or ignored the repeated demands for release from discipline, if any, that officers have faced for failing to arrest Kennedy.

Contact Arthur Kane at and follow @ArthurMKane on Twitter. Kane is a member of the Review-Journal’s investigative team, focusing on reports that hold executives and agencies accountable and expose wrongdoing.

The home run dashed the Lions’ hopes again Sun, 24 Apr 2022 03:13:12 +0000

LAKE CHARLES, Louisiana – For the second time in as many games, McNeese left the Southeastern Louisiana University baseball team, 6-4, with a home run in Southland Conference action at Joe Miller Ballpark.

Southeastern (17-22, 7-7 SLC) led 4-2, going into the ninth, but the Cowboys (22-17, 8-6 SLC) rallied to tie the game before Brad Burckel’s opposite court, two home racing points provided the winning margin.

The Lions took an early 2-0 lead in the second set. Field Artigues fired a double at two off the wall into right center field before Tristan Welch pitched his sixth homer of the season.

McNeese left fielder Julian Gonzales responded with a solo home run late in the inning, halving the Lions lead.

Native to Lake Charles Adam Guth locked in a pitching duel with starter Cowboy Chance Stone over the next few innings.

Leading 2-1, SLU chased Stone out of the game in the sixth. With an out, Preston Faulkner and Shea Thomas hit back-to-back singles to put the runners in the corner. Field Artigues dropped a tight bunt on reliever Tyler Stone, driving Faulkner home to increase the Lions lead.

The Cowboys responded almost immediately. Guth walked the leadoff batter in the bottom of the inning before giving up back-to-back singles. Earlier in the baseball game, Guth worked a no-load jam without allowing a run.

This time Southeastern went to the bullpen to Dalton Aspholm. The junior right-hander from Baton Rouge, Louisiana played down the damage, allowing a run on a sacrifice fly.

Aspholm shut down the Cowboy bats, striking out six batters during his three-inning stint.

SLU added a point to their lead once again in the seventh. Pierce sourdough drew a first step. Clamp-runner Nick Ray advanced to second base on a passed ball before scoring on Rhett Rosevear two single outlets in the center.

The Lions passed the ball to Gage Trahan in the ninth to close it out, but McNeese rallied for four runs.

Tyler Stone (1-0) picked up the win, giving up an unearned run in 3.2 innings of relief. He allowed a hit and a pair of walks, striking out three bases. Trahan (2-3) suffered the loss for the second time in the series, allowing four runs in 0.2 innings pitched.


The series ends Sunday at 1 p.m. No team has announced a starting pitcher for the series finale.

Fans in the Hammond area can listen to the game streamed online at and through the Lions Gameday Experience, Mixlr and MyTuner Radio apps. The MyTuner application is compatible with the Apple CarPlay software available in most recent car models. Fans should search for SLU Athletics (Mixlr) or Southeastern Sports Radio Network (MyTuner).

There will be no live radio broadcast of the weekend series.


The next episode of Inside Southeastern Baseball featuring matt riser, presented by For House Pizza and Beer Garden, is scheduled for Monday at 12 p.m. from the restaurant in downtown Hammond. Fans can listen to each broadcast online at and through the Lions Gameday Experience, MyTuner Radio or Mixlr apps. The MyTuner Radio application is compatible with the Apple CarPlay software available in most recent cars.


The Lions Gameday Experience app puts audio, stats, video, social media and more in the hands of fans. Attendees can also check in to earn reward points redeemable for Southeast-related prizes. Available for Android and iOS devices, it can be downloaded from the App Store and Google Play or by following the link


Fans interested in becoming active supporters of the baseball program are encouraged to join the Diamond Club. Lion baseball alumni are encouraged to join the exclusive S Club, which is reserved for Southeast Sports Letter winners.

All Diamond Club and S Club (baseball) membership fees and donations are available for the exclusive use of the Southeast Baseball Program. Membership information is available by contacting the Lion Athletics Association at or (985) 549-5091 or by visiting


For more Lions Baseball news, follow @LionUpBaseball or @MattRiser17 on Twitter, @LionUpBaseball on Instagram and Facebook, and subscribe to the SLUathletics YouTube channel.